|
Juan d'Ors was born in Madrid, Spain, December 8, 1957. His grandfather was the philosopher and art critic Eugeni d'Ors. He is the son of Juan Pablo d’Ors Pérez, a humanist doctor, and María Luisa Fuhrer, a philologist. He is a singer, musician, actor, writer, film-maker, and “Tintin” expert (“Tintinologist”). == Biography == In April 1984, he published an ethic and aesthetic manifesto on Tintin´s style “ligne claire” (clear line) , in the Madrilenian postmodernist magazine La Luna.〔''Manifiesto del Nuevo Renacentismo, o qué diablos es eso de la Línea Clara'', La Luna de Madrid, nº 6, Abril 1984, págs. 34 y 35; photos and quotes published in the exhibition catalogue ''La luna de Madrid y otras revistas de vanguardia de los años 80'', National Library , Ministry of Culture, 2007〕 The text caused controversy and anticipated a new polemic emerging in October on the occasion of “Tintin Imaginary Museum”, exhibition organized by Fundació Joan Miró in Barcelona.〔"Cairo" Magazines; from april to december 1984〕 His novels ''Belisa y el explorador de almas'' and ''No podrás ser feliz'' were both successively selected in the Premio Planeta de Novela (Planeta Prizes) last vote in 1984 and 1985. However they were never released. Most of d´ Ors abundant and continuous narrative work written between his childhood and marriage still remains unpublished.〔http://www.teinteresa.es/musica/Juan-polifacetico-escritor-presenta-trabajo_0_568143411.html. Magazine “El Invisible Anillo” nº 2, December 2006〕 In 1985 he started working as a voiceover actor. In 1988 he published his essay ''Tintin, Hergé… y los demás'', which is considered today as a precursor text and one of the best written synthesis on the narrative and aesthetic work of the Belgian master. The book was reprinted in 1989.〔Juan Manuel Bonet, "Tintín, Hergé y los demás", Diario 16, may 1988〕 In 1990 he married Mónica Rabasa who gave birth their only son, Jorge.〔 In 1991, he directed Spanish versions dubbing and took part as a singer and actor in series and films for several years.〔Duckman, Santo Bugito〕 The translation of the play ''Pour un oui ou pour un non'' by the French writer Nathalie Sarraute was published in 1994 and welcomed by specialized critics as Lorenzo López Sancho, in ABC (newspaper). Being the first Spanish version of the text, an adapted Mexican version enriched with Juan d´Ors notes was known years later in that country.〔Publicaciones de la ADE, Madrid, 1994. Y Ediciones El Milagro, México DF, 2000. http://www.juandors.com/literatura_traducciones.html〕 In 1999 he separated from his wife.〔 In 2003, Juan d´Ors established himself as a singer, overcoming his deceased father´s curse, who died in 1995, against his main vocation. Progressively, he became surrounded by the grand musicians needed in each occasion, depending on his own musical evolution: Olivier Chauzu, Adán Latonda, Gonzalo Rabasa, Jordi Pinyol, Albert Anguela, Félix Arribas, Daniel García, Costanzo Laini, Donato Goyeneche,〔Percussionist and composer. Author of the suites ''África'' and ''Noches de Marfil''.〕 Tomás Álvarez ... among others. Together they spread out all the sensibility and imagination necessary,also they used different types of promotion strategies.〔His 50th birthday: http://www.juandors.com/musica_tiempos_elementos.html〕 For two years, he fulfilled a giant musical work, producing, adapting and transforming more than thirty songs assembled in two main blocks “Tiempos” and “Latidos”. Nearly at the same time he recorded more than forty instrumental pieces on his own voice – “Tic - tac; bom - bom” –, which he wishes to perform with a chamber orchestra. Even Juan d´Ors focuses his recent work as a singer, composer, arranger and producer, he never gives up his literary activity neither as an actor. He is almost always accompanied by a band of six multi-skilled and interchangeable musicians. His current interests concentrate on videoclip: the first and second were made together with the producer Javier Cano, the third with the photographer Ignacio Cerezo and the fourth one, a jingle-soundtrack with the firm Posovisual. Also Juan d´Ors would like to contribute to the future creation of a permanent live cultural space in Spain. From a musical point of view 2014 has been an important year for Juan d´Ors. In June he fulfilled 32 versions recordings of The Beatles at Galileo Galilei Concert Hall in Madrid. The works featured by a very pure sound, in acoustic and minimalist format, in the singer – songwriter style, paying special care to the dynamics. Together with Diana Valencia, Daniel Saavedra, Javier Simón and William Carreazo, the video can be watched in two parts in its own video channel. In September, ''Flamenco making – of'' and videoclip are published. His fifth work being a personal tribute to the 50th anniversary of Los Brincos. It was filmed in Cádiz, with Urban Sketchers from different groups. The film has its own official web in Facebook and soon it will take part at Musiclip festival (Barcelona/Bogotá) contest in 2015. 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Juan d'Ors」の詳細全文を読む スポンサード リンク
|